Posts

Showing posts from November, 2017

Murder on the Orient Express

Image
    Murder on the Orient Express Kenneth Branagh, Director   Overheard during Previews of Coming Attractions:  “Well, I like Liam Neeson , but that looks stupid.” We feel ya, lady seated in the next row back.  We like Kenneth Branagh , and Johnny Depp , and Judi Dench , and Willem Dafoe , and Michelle Pfeiffer , and Penelope Cruz (well, sorta), and Josh Gad and Derek Jacobi …but this movie is stupid. OK.  Maybe we’re out of line to say such a thing about this lush production full of all these beautiful people.  There were at least a couple of noteworthy elements to this 70mm spectacle:  1. Branagh’s mesmerizing mustache and 2. that super cool avalanche. It probably is unjust to impugn a film when you’re not the intended audience.  And there was fair warning.  We knew going in that it was an Agatha Christie murder mystery; that Hercule Poirot would treat us like Perry Mason treated our mothers back in the day – rudely!  Condescendingly – as though t
Image
Human Flow Ai Weiwei, Director 5 0ut of 6 Ai Weiwei , artist and activist, made the film, Human Flow, to call attention to a humanitarian crisis across the globe – that of refugees.  He traveled to 23 countries documenting the plight of throngs of people – hundreds of thousands; millions – forced to flee their homelands because of the violence of war, religious persecution, drought, plague of disease and every other creator of misery known to man. We get the impression early on that Ai kept a written journal along with his video journal, and somewhere late in the process, maybe in post-production, the pages of the journal were torn from their binding and scattered in the wind.  He collected them all and reassembled them with little concern for chronology, context, or linear thinking.  He’s an artist , after all. His product is beautiful in so many aspects.  Breathtaking images of sunsets, seas, and the mesmerizing faces of human be
Image
The Florida Project Willem Dafoe Brooklynn Prince Valeria Cotto Bria Vinaite Sean Baker, Director  Right out of the chute, The Florida Project thrusts us back into the free-wheeling summer vacations and that big-world-no-worries life that children lead.  Remember when school let out, and June, July, and August stretched to the horizon like Route 66 across New Mexico?  So we freely surrender to Sean Baker , the striking cotton candy colors of Florida, and these precocious kids’ point of view.  Moonee (Brooklynn Prince), Jancey (Valeria Cotto), and Scooty (Christopher Rivera) travel at will among the brightly-painted yet seedy residence motels just outside of – and galaxies away from  – Walt Disney World.  The kids’ shenanigans seem mostly child-like and harmless until a seeping realization forms in the periphery:  While this sense of freedom and unlimited time seem familiar, this is not a replay of the innocent summers we recall from our days

Suburbicon

Image
  Suburbicon Matt Damon Julianne Moore George Clooney, Director  What’s not to like here?  MattDamon ?  Julianne Moore ?!  Cohen Brothers ?!!  George Flippin’ Clooney !!!  Come on!  Who could ask for anything more? Our setting:  Suburbicon , 1950-something, a planned community of cookie-cutter homes and families promoted as ‘diverse’ since each white family of four hails from various locales around the country.  Then, Mailman Henry delivers letters to a new family in the neighborhood, and learns posthaste (sorry) that the Mayers are not white.  Word spreads and the pump is primed for…what? Quirky Cohen Brothers upset and shenanigans? But wait!  Cut to the Lodge home, the next block over, where stuff has gone seriously awry.  Bad men have taken over, men who most certainly do not belong in Suburbicon.  Yet here they are with their unseemly personas, perpetrating something dangerous and frightening and about which we need more information.  What’s in sto